I think of Jean Gebser’s different structures of consciousness of experiencing time / music here. Immersive states were slowmo, gentle and mostly a single colour while the bright states are detailed, high contrast, framed and zoomed out. Translation of musical textures into colour and movement for the Festival of Laurence Crane underwater painting was inspired by Laurence Crane’s ‘See Our Lake’ (available on Another Timbre), where from the wallowing, submerged immersive texture emerges the brightness of the vibraphone! I created paintings and movement patterns around this idea. #laurencecrane #guildhallschool #anothertimbre #contemporarymusic #underwaterart #underwaterlight #ripples #slosh #blue #paintandwater #videoart #movingpainting #underwaterpainting #watercolour #painting #artinspiration #immersivemusic #immersive #artformusic #artandmusic #artwithmusic #artformusicians #interdisciplinaryarts #jeangebser #multidisciplinary #artist #composer #yorkepeninsula #musicinspiration The techniques I used here included a watercolour bleed speeded up, the disruption of a slowmo ripple, a still, and a watercolour painting on tile with subtle water distortion movement above. Interestingly the perceived effect depended more on movement than recording speed, so this required some testing to make this effect. I used watercolour, tiles, glass objects and water in layered combinations. I used various types of painting processes with water movement at varied speeds to try and create the feeling of taking a breath. With a moment of stillness in the music I decided to do something different with the art pacing. Preporucljivo ga je slusati u kasnim vecernjim satima, kada je nivo okolne buke najnizi, kako bi i najskriveniji detalji dosli do izrazaja. Septet, u 55 minuta krhke teksturalne muzike, na sebi svojstven nacin (krecuci se u medjuprostoru izmedju kompozicije i improvizacije), verno docarava "usporavanje" gradova zatvorenih u jeku kovid pandemije, ali uz stalno prisutni tracak nade da ce se zivot vratiti u stari prepoznatljivi ritam, koliko god on izazivao nervozu i anksioznost u normalnim okolnostima.Īlbum "How Lonely Sits The City", jos jedna je potvrda da se instrumentalnom minimalistickom muzikom i tisinom, kao neodvojivim segmentom iste, moze mnogo toga opisati i poruciti. Na toj "slici" dominira paleta pastelnih boja. (35) Svedski kompozitor Magnus Granberg, sa svojom grupom Skogen, koju cine vrsni instrumentalisti, jednostavno receno "slika zvukom".
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